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There is an article of Ancient Egyptian architecture (Wikipedia)

Karnak temple's hypostyle halls are constructed with rows of thick columns supporting the roof beams. The temple was constructed one section at a time over a period of almost 1600 years.

The architecture of ancient Egypt includes some of the most famous structures in the world, such as the Great Pyramids of Giza, Abu Simbel, and the temples at Thebes. All major building projects were organized and funded by the state, whose purpose was not only to provide functional religious, military, and funerary structures but to reinforce the power and reputation of the pharaoh and ensure his legacy for all time. The ancient Egyptians were skilled builders with expert knowledge of basic surveying and construction techniques. Using simple but effective measuring ropes, plum bobs, and sighting instruments, architects could build large stone structures with accuracy and precision.

Most buildings in ancient Egypt, even the pharaoh's palace, were constructed from perishable materials such as mud bricks and wood, and do not survive. Important structures such as temples and tombs were intended to last forever and were instead constructed of stone. The first large scale stone building in the world, the mortuary complex of Djoser, was built in the Third Dynasty as a stone imitation of the mud-brick and wooden structures used in daily life.^[35]

The architectural elements used in Djoser's mortuary complex, including post and lintel construction with huge stone roof blocks supported by external walls and closely spaced columns, would be copied many times in Egyptian history. Decorative styles introduced in the Old Kingdom, such as the lotus and papyrus motifs, are a recurring theme in ancient Egyptian architecture.

The earliest tomb architecture in ancient Egypt was the mastaba, a flat-roofed rectangular structure of mudbrick or stone built over an underground burial chamber. The mastaba was the most popular tomb among the nobility in the Old Kingdom, and the first pyramid, the step pyramid of Djoser, is actually a series of stone mastabas stacked on top of each other. The step pyramid was itself the inspiration for the first true pyramids. Pharaohs built pyramids in the Old Kingdom and later in the Middle Kingdom, but later rulers abandoned them in favor of less conspicuous rock-cut tombs.New Kingdom pharaohs built their rock-cut tombs in the Valley of the Kings. By the Third Intermediate Period, the pharaohs had completely abandoned building grand tomb architecture.

The earliest preserved ancient Egyptian temples, from the Old Kingdom, consist of single enclosed halls with columns supporting the roof slabs. The mortuary temples connected to the pyramids at Giza are examples of this early type. During the Fifth Dynasty, pharaohs developed the sun temple, the focus of which is a squat pyramid-shaped obelisk known as a ben-ben stone. The ben-ben stone and other temple structures are surrounded with an outer wall and connected to the Nile by a causeway terminating in a valley temple. In the New Kingdom, architects added the pylon, the open courtyard, and the enclosed hypostyle hall to the front of the temple's sanctuary. Because the common people were not allowed past the entry pylon, the deity residing in the inner sanctuary was distanced from the outside world. This type of cult temple was the standard used until the Ptolemaic and Roman Periods.

 Art

There is an article of: Art of Ancient Egypt (Wikipedia)

The Narmer Palette exemplifies the artistic style used by the ancient Egyptians for more than 3500 years, which was already highly developed before the start of the Old Kingdom

The ancient Egyptians produced art that was made for functional purposes rather than as a form of pure creative expression. Artists adhered to artistic forms that were developed during the Old Kingdom for more than 3500 years, following a strict set of principles that resisted foreign influence and internal change.^[38] Their artistic canon, characterized by the flat projection of figures with no effort to indicate spatial depth, combined with simple lines, shapes, and flat areas of color, created a sense of order and balance within a composition. Because of the rigid rules that governed its highly stylized and symbolic appearance, ancient Egyptian art served its political and religious purposes with precision and clarity.^[4]

Pharaohs used reliefs carved on stelae, temple walls, and obelisks to record victories in battle, royal decrees, and religious scenes. These art forms glorify the pharaoh, record that ruler's version of historical events, and establish the relationship between the Egyptians and their deities. Common citizens had access to pieces of funerary art, such as shabti statues and books of the dead, which they believed would protect them in the afterlife.

The ancient Egyptians made little distinction between images and text, which were intimately interwoven on tomb and temple walls, coffins, stelae, and even statues. This mentality is evident even in the earliest examples of Egyptian art, such as the Narmer Palette, where the characters themselves may be read as hieroglyphs.

Religious beliefs

There is an article of Ancient Egyptian religion (Wikipedia)

The Egyptian religion, embodied in Egyptian mythology, is a succession of beliefs and a changing Egyptian pantheon reflecting the beliefs held by the people of Egypt, as early as predynastic times and all the way until the coming of Christianity and Islam in the Græco-Roman and Arab eras. These were conducted by Egyptian priestesses, priests, or magicians, but the use of magic and spells is questioned. The oldest oracle of record was in Egypt at Per-Wadjet, and has been suggested as having been the source of the oracular tradition that spread into other early religious traditions, such as Crete and Greece.

Every animal portrayed and worshiped in ancient Egyptian art, writing, and religion is indigenous to Africa, all the way from the predynastic until the Graeco-Roman eras, over 3000 years.

Displayed to the right is an image that exemplifies the totemic aspects of the religion of ancient Egypt from its earliest times to the sunset of the culture. An ancient deity represented as a lioness is seated on a throne that is flanked by the two other oldest among the earliest triad of deities, the Egyptian cobra and the white vulture. These three animals were consistently represented as the protectors and the patrons of both Upper and Lower Egypt. The supplicant, Hariesis, represents Horus, the son of Hathor, the similarly ancient cow deity who is considered another aspect of their primal Earth mother as sun goddess.

The inner reaches of the temples were sacred places where only priestesses and priests were allowed. On special occasions ordinary people were allowed into the temple courtyards.

The religious nature of ancient Egyptian civilization influenced its contribution to the arts of the ancient world. Many of the great works of ancient Egypt depict deities and pharaohs, who were also considered divine after death. Ancient Egyptian art in general is characterized by the idea of order.

 Burial customs

There is an article of Egyptian burial rituals and protocol

Anubis was the ancient Egyptian god associated with mummification and burial rituals; here, he is shown attending to a mummy that lays on a bed representing the goddess Mafdet

The ancient Egyptians maintained an elaborate set of burial customs that they believed were necessary to ensure their immortality after death. These customs involved preservation of the body by mummification, performance of burial ceremonies, and interment with grave goods for the deceased to use in the afterlife.^[2] The word mummy comes from a misinterpretation of the process. Poorly embalmed bodies (from the Late Period) are often black and very brittle. It was believed these had been preserved by dipping them in bitumen, the Arabic word for bitumen being mumiya.

Before the Old Kingdom, bodies buried in desert pits were naturally preserved by desiccation. This was the best scenario available for the poor throughout the history of ancient Egypt, who could not afford the elaborate burial preparations available to the elite. When the Egyptians started to bury their dead in stone tombs, natural mummification from the desert did not occur. This necessitated artificial mummification which, for the wealthy in the Old and Middle Kingdoms, meant removing the internal organs, wrapping the body in linen, coating with plaster or resin, and sometimes painting or sculpting facial details. The body was buried in a rectangular stone sarcophagus or wooden coffin. From the Fourth Dynasty, internal organs were stored in sets of four canopic jars.The intestines, lungs, liver and stomach were preserved separately and stored in these jars, who were protected by the Four sons of Horus, whose likenesses were often represented on the jars. Such was the perceived power of these jars that even when the Twenty-First Dynasty started to return the organs to the body after preservation, empty jars continued to be included in the tombs.

By the New Kingdom, the art of mummification was perfected; the best technique took 70 days and involved removing the internal organs, removing the brain through the nose, and desiccating the body in a mixture of salts called natron. The body was then wrapped in linen with protective amulets inserted between layers, and placed in a decorated anthropoid coffin. In this New Kingdom, coffins changed shape from the Middle Kingdom rectangle to the familiar mummy-shape with a head and rounded shoulders. At first these were decorated with carved or painted feathers, but later were painted with a representation of the deceased. They were also put together like Russian Matryoshka dolls in that a large outer coffin would contain a smaller one, which contained one that was almost moulded to the body. Each one was more elaborately decorated than the one larger than it. By the Late Period, mummies were placed in painted cartonnage mummy cases. In the Ptolemaic and Roman periods, preservation technique declined and emphasis was placed on the outer appearance of the mummy, decorated with elaborate rhomboidal patterns formed by the wrapping bandages.

All burials regardless of social status included grave goods such as food and personal items such as jewelry. Wealthy members of society expected larger quantities of luxury items and furniture. From the New Kingdom, books of the dead were popular items of funerary literature which contained spells and instructions for protection in the afterlife. New Kingdom Egyptians also expected to be buried with shabti statues, which they believed would perform manual labor for them.

Whether they were buried in mastabas, pyramids, or rock-cut tombs, every Egyptian burial would have been accompanied by rituals in which the deceased was magically re-animated. This procedure involved touching the mouth and eyes of the deceased with ceremonial instruments to restore the power of speech, movement, and sight. After burial, living relatives were expected to occasionally bring food to the tomb and recite prayers on behalf of the deceased.

 Leisure and games

The ancient Egyptians maintained a rich cultural heritage complete with feasts and festivals accompanied by music and dance

The ancient Egyptians enjoyed a variety of leisure activities, including games and music. The game of senet, a kind of board game with pieces moving according to random chance, was particularly popular from the very earliest times. Another similar game was mehen, which had a circular gaming board. Juggling and ball games were popular with children, and wrestling is documented in a tomb at Beni Hasan.^[4] The wealthy members of ancient Egyptian society enjoyed hunting and boating as well.

Music and dance were popular entertainments for those who could afford them in ancient Egypt; musicians played flutes and a type of harp. The sistrum, a musical instrument that was especially important in religious ceremonies, was a rattle and there were several other devices used as rattles.